A REAL GIFT By Lisa Lepovetsky Anita
Lodge pointed to the blood red tent in the middle of the fairgrounds. "Go ahead Oliver. Try it." Her
husband tugged at the damp collar of his shirt, where his conservative
maroon-striped tie remained tightly knotted.
He felt as though he were strangling. "A
fortune teller?" he sneered.
"It's bad enough that you wasted a Sunday afternoon dragging me to
this shabby circus, mobbed with whiny children and their long-suffering
parents. Why would I want to sweat in a
smelly old tent and have some reprobate feed me a pack of generic lies?" He suppressed
a shudder, remembering his mother’s fascination with the occult. He’d been very superstitious and fearful of
the unknown throughout much of his life, until his mother died while he was in
college. Then he’d forced himself to
give up his beliefs and his Ouija board and tarot cards. Anita
sighed. "In the first place, this
isn't a circus; it's a fund-raising bazaar for the auxiliary of Winslow County
Hospital – which, I might add, pays you a pretty good salary for being their
administrator. In the second place, you
wouldn't be sweating so much if you'd dressed in comfortable clothes, like I
suggested, instead of that ridiculous suit and tie. What are you going to do when we're in the
Bahamas next month for our anniversary?" "Stay
inside where it's cool, of course," he snapped back, "and drink
mai-tais until I don't care about the damn heat anymore. That trip was your idea, remember?" At the
mention of the chairman of the hospital's board of directors, Oliver turned his
unpleasant scowl into something he hoped approached a smile. There was no point
in passing up a chance to butter up the boss.
He tugged at the lapels of his jacket, trying vainly to cover his
expanding paunch, and nodded. "Well,
of course, if it's for charity..." he muttered, heading across the grass
toward the tent his wife had pointed out.
Above the bright red door flaps hung a roughly painted sign that
read: MADAME CALIOSTRO KNOWS ALL, SHE'LL
READ YOUR FUTURE IN HER CRYSTAL BALL – $5.
Several screaming urchins ran in front of him, nearly tripping him, and
he growled a curse under his breath. As
he drew aside the bright red flaps beneath the sign, Anita turned toward the
potpourri seller across the way. "Aren't
you coming in?" he asked. "No,
I'll just wait over here." She
shrugged. "To be honest, that kind
of thing has always given me the creeps.
I'm afraid she'll tell me I'm going to be hit by a bus or something. If
you like it, maybe I'll go in." "Women,"
Oliver snorted. "You watch too many
of those true mystery programs on TV."
He bent slightly and entered the tent. "So
you're Madame Calisto, or whatever," he said jovially. "Jeez,
it's like a sauna in here," he said.
"I don't know how you can stand it for a whole afternoon." "Nice
special effects," he muttered. "Well,
scoff is probably too strong a –" Oliver began, but the woman held up her
hand. "Silence,"
she hissed. "I must concentrate
harder to overcome your scornful emanations." The small woman before him radiated a kind of
quiet authority. To his surprise, Oliver
obeyed. Madame
Caliostro gazed into the glowing sphere for a long moment, during which Oliver
faintly heard the voices of children and festive adults outside the tent as
though through a poor long-distance phone connection. He forced himself not to squirm on the
uncomfortable chair. When
Madame Caliostro spoke, Oliver barely heard her. Her voice seemed to merge with the sounds
outside the tent, barely distinguishable above them. He leaned forward slightly to hear. Finally,
the low, musical voice spoke again.
"A letter will come a long distance to you soon – a letter from a
relative," she said. This
time he couldn't keep silent, though he suppressed the sarcasm as best he
could, trying to keep the face of his boss before him. "Can you be a bit more specific?"
he asked. "Most of my relations
live quite a distance away. Just how far
will this letter have to travel?"
"Do
you mean to tell me I'll be receiving a letter from a dead person?" he
asked. "That's pretty hard to
believe." "I
only pass on what the crystal tells me," she answered calmly. "These messages are from somewhere
outside our tiny universe, somewhere outside our understanding." Oliver
sighed inwardly. What the hell time was
it, anyway? It seemed he'd been inside this miserable tent for hours. "If there's more, please do," he
said, adding silently, and hurry it the
hell up. Her
head bent once more, and once more the silence enveloped Oliver like a hot wet
blanket. He felt as though his entire
body were covered in a prickly heat rash.
His buttocks were numb from sitting on the hard seat of the folding
chair. Just as he was about to stand up
and end this charade as politely as possible, Madame Caliostro spoke once more. "You
will have difficulty with a vehicle soon," she said, "a car. I see a car the color of the evening
sky." "No,
not black," she answered, and Oliver hid a smirk. She'd fallen for it – some psychic. He couldn't wait to tell Anita how phony this
broad was. Madame
Caliostro continued. "No, the car
is a dark blue or purple color. I see
you and a blonde woman inside, afraid on a lonely wooded road, waiting." "A
blonde woman?" Well, that was
interesting, Oliver thought wryly, since Anita's hair was a dark
reddish-brown. Maybe he was finally
going to get some excitement in his life.
"What are we waiting for?" "I
don't know. The crystal doesn't tell me
that." "Mmmm. Too bad." He made a show of looking at his watch and
starting to rise. "Well, this has
been real interesting, but I'd better –" Suddenly,
the pale small hand reached out and grasped his wrist with surprising strength,
fingers cool and dry against his hot skin. "No,"
the woman insisted, "don't go yet.
There's more. It's
important." Oliver
couldn't get the argument past his lips.
He remained frozen, bent over, half-way out of his chair. "You
must beware the pills," she warned.
"When the eagle flies no more, refuse the blue pills. You must remember – it will save your
life. Someone close is trying to destroy
you." Oliver
jerked his hand away, sputtering with annoyance. Boss's sister or no boss's sister, this was
simply too much folderol. The woman was
touched, that was it. Oliver hurried out
through the tent flaps into the bright sunlight, squinting and panting,
searching for Anita. He found her
watching a basket-weaving demonstration not far down the row of tents. "Well,
are you ready to go home yet?" he said, his voice reassuringly loud and
steady. "You're
finished already?" she asked.
"I thought you'd be in there longer. It's only been –" she glanced at her
watch " – five minutes." He
frowned. He'd felt as though he'd been
in there for hours. "How
did it go?" Anita asked. "Was she everything they said? Should I give it a try?" "She's
nothing but a phony," he said, "just like I expected. Telling vague
stories that could – and probably would – happen to anybody. Don't waste your money." Anita
shrugged and paid for a small blue basket.
"Well, I'm sorry you wasted your time, but at least it will benefit
the hospital." Oliver merely nodded
and steered her past the tent by her elbow. On the
way home, Anita asked what Madame Caliostro had told him. "Just for fun," she said,
"let's see whether any of it comes true." "Just
garbage," he grumbled. "The
usual stuff – take a trip, letter from a relative, blah-blah-blah. Nothing that anybody with half a brain would
take seriously." He turned the car
into the long drive that led to their house.
"By the way, did you get my grey suit from the cleaners
yesterday?" Anita
nodded. "And I picked up the new
prescription Dr. Neal phoned in to the drug store." Oliver
muttered, "That quack." "He's
the top cardiologist in the northeast," Anita pointed out. "And if you remember, he told you –" "I'm
not a moron," Oliver snapped.
"Or senile. I remember what
he said. Drop it, okay?" She turned away from him and silently looked
out her window. They
got out of the car in the garage and went through the connecting door into the
kitchen. "Grab the mail from the
box, Anita," Oliver said. "I
need a shower after traipsing around in the heat all afternoon." "It
was hardly all afternoon," she said.
"We were there less than an hour." He ignored the remark. When
Oliver came back downstairs, Anita handed him the mail. "There's one from
Seattle," she said. "Isn't
that where your Uncle Wilbur lives?" Oliver
nodded as he tore the envelope open.
"He's been in a nursing home for a month or so, I think. I don't pay much attention anymore. He's pretty old, and there's nobody else out
there to call about what's happening with him.
Actually, I've kind of lost touch." He
pulled the letter out and scanned it for a minute. "He's dead," Oliver murmured in
surprise. "And I'm the executor of
his will. I'm going to have to go out
there and settle things. What's this?" A
separate paper slipped from the others, drifting to the floor. In contrast with the neatly-typed, crisp
sheets from the attorney, this small page of blue stationery was a bit crumpled
and covered with large, looping handwriting.
Oliver picked it up and peered more closely at it. "It's
a note to me from Uncle Wilbur," he said.
"He wrote it himself. He
wants to make sure I take care of his properties so they don't fall apart
before someone buys them." "There's
the mansion, just outside the city."
Oliver frowned, trying to remember.
"And I think he owns the house next door, too. He had quite a bit of money. If I'm not mistaken, there's also a camp or
hunting lodge or something out in the woods, too. I suppose I'll have to hire somebody to close
them up." "Won't
that be expensive?" "Well,
it won't be cheap," he muttered, visualizing Uncle Wilbur's funds
dwindling rapidly. "Unless..." "Unless?" "Unless
I go out there myself and make sure everything's done correctly. I have three weeks off next month." Anita's
eyes widened. "But that's when
we're taking our anniversary trip to the Bahamas, Oliver." "Well,
this has to be done. I'm afraid I can't
put it off." As Anita began to protest, he raised his hand to quiet
her. "Hey, we can make this trip
our anniversary trip, can't we? It won't
be so hot in Seattle this time of year, and we can stay out in the woods at the
hunting lodge. We'll go to the Bahamas
some other time, in the winter. How does
that sound?" "As
though you're relieved that we won't be going to the islands." Anita snorted. "But I know there's no point arguing with
you when you've made up your mind. I'll
cancel the reservations." "And
while you're at it, reserve a flight to Seattle and a rental car." As she went to make the calls, Oliver was
already making notes on the lawyer's pages, reminders of ways he could save
money on Uncle Wilbur's estate – most of which he would inherit. Less
than a month later, Oliver waited impatiently for his wife at the USAir
terminal in the bustling Cleveland airport.
She had been running last-minute errands that afternoon, and he'd
grudgingly agreed to take a cab to the airport and meet her at two, an hour and
a half before their plane was scheduled to take off. Now it was – he glanced at his watch – nearly
three. Anita was late as usual. "What
the hell have you done to your hair?" Oliver sputtered. "You've gone and bleached it." "More
than a little, I'd say," Oliver grumbled. She
grinned sheepishly. "Well, the
hairdresser got a bit carried away, I'll admit.
I know how you hate changes, but I'd noticed the grey creeping through,
and thought for our twentieth anniversary, you might like something
different." "It's
different alright," he agreed.
"But I suppose it looks nice enough when you get used to it." Anita
was right; Oliver didn't like sudden changes of any kind. But he also didn't want her getting all teary
in the airport; then he'd have to put up with her pouting all the way to
Seattle. So, he hoped she believed the
weak compliment. She seemed placated,
and they walked together to the gate. By the
time they reached the car rental service at the Seattle airport, Oliver was
completely out of sorts. The meal on the
plane had been atrocious, the attendants sullen, and the flight turbulent. He told Anita to fill out the rental forms
while he waited on the bench and let his stomach settle. He finally rose when she signaled that he had
to sign as primary driver. "Your
car is in Lot A," the man behind the counter said, and gave them directions
to the lot as he handed the keys to Oliver. "It's a dark blue Thunderbird –
midnight blue, actually – all gassed up and ready to go." As they
pulled their wheeled suitcases along the cement walkway toward the rental car
lots, Oliver grumbled. "I distinctly
told you I wanted a big car, a Lincoln or a Buick, not a flashy rich-kids'
car." "I
know, but it's a busy week, with the festival and all. It's all they had. We got a good price on it." "Of
course I did," Anita said, pulling a sheet of handwritten notes from her
purse. "It's out beyond the other
side of the city. From what I can tell,
it shouldn't take us more than two hours to get there from here." "Two
hours." Oliver snorted and looked
at his watch. "It's after seven
now, which my body says is actually ten.
I'll be ready for bed in an hour, and I'll still have another hour of
driving to do." Anita
opened a map and spread it across the hood of the car. "I'm sure there'll be someplace to stop
on the other side of Seattle where we can stretch and get some coffee. That's almost halfway. I'll drive, if you want, and you can
sleep. Come on, cheer up." Oliver
shrugged and got into the passenger seat, muttering, "You know I can't
sleep in strange cars." The
next thing Oliver knew, they were stopped at a filling station/convenience
store on the far side of Seattle. He got
out to use the restroom; when he returned to the car, Anita was taking the
nozzle from the gas tank. "I
topped off the tank. That way, we don't
have to think about it again. And
anyway, the engine was making a funny noise, so I thought I'd put some high-test
in. Maybe that'll fix it." "I
didn't notice any noise," he grumbled.
"You shouldn't put expensive gas in a rental car." "I'm
not surprised you didn't hear anything," she said. "You were asleep most of the time." "I
was just resting my eyes." "Mmm-hmmm."
Anita went to pay the attendant. Oliver
got behind the wheel. "I'll
drive the rest of the way," he announced when she returned. "Can
you see anything?" Anita called from the passenger window. "I
see plenty, but I don't know any more now than I did when the engine
died." “Why
don’t you call nine-one-one on your cell phone,” she asked. “That’s
the first thing I tried,” he said. “But
there’s no reception in this god-forsaken place.” The sun
had set recently, and Oliver shivered in the chilly breeze that made the
towering pines around them creak and groan. Anita
stuck her head out the window again.
"Why don't you get in, Oliver, and we'll turn on the radio and wait
until someone comes by. At least the
battery's working." Oliver
said nothing, but slid into the car, slamming the door behind him. Anita's newly-bleached hair glowed like a
halo in the light from the radio, and suddenly Oliver's stomach seemed to
freeze. He realized he must have made a
sound when Anita asked him what was wrong. "Nothing,"
he managed to croak after a minute.
"I just remembered something that stupid fortune teller said at the
charity festival." "It
must have been a doozey to make you look like that. I thought you said it was all just
garbage. What did she say?" "First
she said something about a relative's letter coming from far away." Anita
chuckled. "All fortune tellers talk
about a letter from a relative. Chances
are…it'll come true eventually." "Yeah,
but she even said it would be from a dead person. And Uncle Wilbur was dead when I got that
letter." "And
she said I'd be going on a long journey." Anita
sighed. "Oliver, that's another
typical fortune-teller prediction. They
all say that. I can't believe you're
taking this so seriously." "No,
you don't understand." Oliver could
feel fingers of panic squeezing his chest and took a few deep breaths to calm
himself. "She said I'd be stranded
in the woods, in a dark blue or purple car – with a blonde woman." "Wow,"
breathed Anita. "That's pretty
weird all right. What else did she
say?" Oliver
strained to remember. "It was so
hot in there, and there was all this smoke from the incense... God, I can't –
Wait, yes I do. Something about someone
trying to kill me." Anita
gasped. "I can't believe she'd say
something like that at a charity affair.
That kind of thing is completely inappropriate. Someone should say something to her
brother." Oliver
was still trying to remember the details, but they seemed to scurry away the
more he fought to capture them.
"There was something about birds dying," he muttered. "Hawks or eagles falling or
something..." Anita
pointed through the windshield just as the lights of an oncoming car flooded
the inside of the Thunderbird.
"Well, you can remember it later," she said. "Flag those people down, and see whether
they can get us some help." By
midnight, they were pulling up to the A-frame lodge at the end of a long dirt
drive. The driver of the car they'd seen
happened to be a traveling salesman, and had sympathized with their plight. "I
can't wait to get to bed. By my
biological clock, it's five o'clock in the morning. I haven't been up this late since –" "Since
our honeymoon," Anita murmured, kissing him on the cheek. He frowned and turned the key in the lock. "Yeah,
well, all I want to do right now is sleep." He
awoke five hours later to the scent of Anita fixing breakfast in the small
kitchen downstairs. He still felt
groggy, but knew he'd never get back to sleep now. He staggered down the stairs. Anita was humming an aria from "Madame
Butterfly." "What
are you so chipper about?" he grumbled. "It's
a beautiful day," she said.
"Just look out that big window in back of the house. Better yet, go on out onto the porch and sit
at the table – I'll bring your breakfast to you. Service with a smile." Oliver
wasn't really very hungry, and didn't relish the idea of eating outside, with
bugs swarming all over his food, but he felt too lousy to argue. His head ached and his chest felt like
someone had wrapped him with tape. He'd
have a glass of juice on the back porch, if the air wasn't too cold, and then
go back to bed. Anita could amuse
herself for a while. When he
opened the door, something metal rattled and clinked to the floor. He cursed and bent to see what it was. Anita hurried out. He
picked up some flat brass figures on a thin chain. "What's this?" Anita
took them from him. "Oh, it's a
wind chime – brass eagles in flight. The
chain looks like it rusted through and they fell when you opened the
door." Oliver
gasped and his chest caught fire. He
heard Madame Caliostro's voice as though she were standing beside him. When
the eagle flies no more, refuse the blue pills.
Someone close to you is trying to destroy you. Anita's
eyes were anxious as she put her hand on his arm. "Oliver? What's wrong? You look
awful." He
tried to answer, tried to tell her he was fine.
He didn't dare tell her the truth.
Madame Caliostro was right.
Somehow, she'd actually seen his future, and he knew he mustn't stay
here with Anita. She was the only one
remotely close to him, physically or emotionally. And she was trying to kill him. His mother
had been right all those years ago. But his
chest was a blazing furnace, constricting smaller each second. All he could do was croak, "You...you're
killing me. Get...away." "Oh
my God, what are you talking about, Oliver?" Anita's voice seemed muffled and far-away
behind the ringing in his ears, though he could see she was still beside him –
too, too close beside him. He tried to
pull away, but only succeeded in sitting heavily on the floor. "I'll
get your pills." Anita ran into the
lodge. A moment later, she was back,
with the pill bottle in her hand. She
shook out two blue pills. Beware the blue pills,
Madame Caliostro had said. It was all so
clear now, despite this terrible pain.
And his pills had never been blue before. "Those...
not my pills," he gasped, weakly pushing her hand away. "They're
the new ones, Oliver," Anita insisted, pressing them into his palm. "Remember, I told you I was picking up a
new prescription from Dr. Neal. You have
to take them, Oliver. You're having a
heart attack." "No." He shook his head. Madame Caliostro had told him to refuse the
blue pills. That meant this wasn't a
real heart attack. Of course Anita was
worried – worried he wouldn't take the damned blue pills. But that was his only chance – he must not take those pills. With a huge effort, he threw the pills to the
floor. "What's
going on?" Anita's eyes filled with
tears. "Oliver, you'll die if you
don't take those pills. Dr. Neal said
you have to take them right away." Then
his heart clenched again, agonizingly, like a fist closing forever. Oliver suddenly knew he was dying. His vision blurred. He felt himself slip sideways to the wooden
floor. What happened? He
silently asked no one in particular. I don't understand it – Madame Caliostro was right about everything
else. Why not about this? I didn't take the blue pills. Then he heard Anita's voice again, clearer now, but fading. She was obviously talking to someone on the phone. "It worked perfectly. God, I'm so relieved, I'm actually crying. The dark blue car I ordered, the sugar in the gas tank, my hair, everything worked. He even believed you were related to Mark Castle. Of course, if I hadn't steamed open that letter from his uncle the day before the festival, I never would have thought of how to do it. And your idea of putting out those wind chimes while he was asleep – it was a stroke of genius. I actually think that's what sent him over the edge. I owe you a lot – more than I'm paying you, that's for sure. More than the five dollars he was too cheap to pay you at the festival. You definitely have a gift." Lisa Lepovetsky has been published frequently in anthologies and magazines, including EQMM. She holds an MFA in writing from Penn State University. She also writes and hosts mystery theaters under the name “It’s A Mystery!” and has published a novel, SHADOWS ON THE BAYOU. Her short story, "Serenity," appeared in omdb! in September, 2014. Copyright © 2015 Lisa Lepovetsky. All rights reserved. Reproduction in whole or in part in any form or medium without express written permission of the author is prohibited. OMDB! and OMDB! logos are trademarks of Over My Dead Body! Return to Over My Dead Body! Online. |